亚当·贝德 Adam Bede 下载 115盘 pdf snb 夸克云 tct kindle azw3

With an Introduction and Notes by Doreen Roberts University of Kent at Canterbury 'Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your immediate feelings...' Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost. The movement of the narration between social realism and reflection on its own processes, the exploration of motives, and the constant authorial presence all bespeak an art that strives to connect the fictional with the actual.

作者简介：

Leonee Ormond is Reader in English at King's College, University of London. She has published books on George du Maurier, Lord Leighton (with Richard Ormond) and J. M. Barrie.

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Consequences are unpitying. Our deeds carry their terrible consequences, quite apart from any fluctuations that went before--consequences that are hardly ever confined to ourselves

Falsehood is so easy, truth so difficult

human feeling is like the mighty rivers that bless the earth: it does not wait for beauty--it flows with resistless force and brings beauty with it

"...perhaps nothing 'ud be a lesson to us if it didn't come too late. It's well we should feel as life's reckoning we can't make twice over; there's no real making amends in this world, any more nor you can mend a wrong subtraction by doing your addition right."

书籍介绍

'Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your immediate feelings...' Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost. The movement of the narration between social realism and reflection on its own processes, the exploration of motives, and the constant authorial presence all bespeak an art that strives to connect the fictional with the actual.