The Cambridge Companion to Twentieth-Century Opera（ISBN=9780521783934） 英文原版 下载 115盘 pdf snb 夸克云 tct kindle azw3

This Companion celebrates the extraordinary riches of the

twentieth-century operatic repertoire in a collection of specially

commissioned essays written by a distinguished team of academics,

critics and practitioners. Beginning with a discussion of the

century's vital inheritance from late-romantic operatic traditions

in Germany and Italy, the text embraces fresh investigations into

various aspects of the genre in the modern age, with a

comprehensive coverage of the work of individual composers from

Debussy and Schoenberg to John Adams and Harrison Birtwistle.

Traditional stylistic categorizations (including symbolism,

expressionism, neo-classicism and minimalism) are reassessed from

new critical perspectives, and the distinctive operatic traditions

of Continental and Eastern Europe, Russia and the Soviet Union, the

United Kingdom and United States are subjected to fresh scrutiny.

The volume includes essays devoted to avant-garde music theatre,

operettas and musicals, filmed opera, and ends with a discussion of

the position of the genre in today's cultural marketplace.

A chronology of twentieth-century opera Nigel Simeone

Part I. Legacies:

1. Opera in transition Arnold Whittall

2. Wagner and beyond John Deathridge

3. Puccini and the Italian tradition Virgilio Bernardoni

Part II. Trends: 4. Words and actions Caroline Harvey

5. Symbolist opera: trials, triumphs, tributaries Philip

Weller

6. Expression and construction: the stage works of Schoenberg and

Berg Alan Street

7. Neo-classical opera Christopher Walton

Part III. Topographies:

8. France and the Mediterranean Nigel Simeone

9. Austria and Germany, 1918–-1960 Guido Heldt

10. Eastern Europe Rachel Beckles Willson

11. Russian opera: between modernism and romanticism Marina

Frolova-Walker

12. American opera: innovation and tradition Elise K. Kirk

13. Opera in England: taking the plunge Christopher Mark

Part IV. Directions:

14. Music theatre since the 1960s Robert Adlington

15. Minimalist opera Arved Ashby

16. Opera and film Mervyn Cooke

17. Popular musical theatre (and film) Stephen Banfield

18. Opera in the marketplace Nicholas Payne

19. Technology and interpretation: aspects of 'modernism' Tom

Sutcliffe

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书籍介绍

This Companion celebrates the extraordinary diversity of operatic achievements in the twentieth century by bringing together the work of scholars from both sides of the Atlantic, alongside thought-provoking commentaries on the contemporary operatic scene. Beginning with a survey of operatic legacies and a discussion of how these impinged on later developments, the volume offers treatments of regional styles and aesthetic trends, and essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces on opera production, and changing compositional styles and production trends.